Fuente Ovejuna

Fuente Ovejuna

fuente ovejuna

by lope de vega

Directed by PJ Escobio

Translation by G.J. Racz

A simple town, a cruel tyrant, a people pushed to their breaking point, this is the story of Fuente Ovejuna. 

premiering october 1st, 2026

at the internationales theater frankfurt

A classic of Spain’s Golden Age of Theatre, written by its most important playwright, Lope de Vega: When a small town is caught in the front lines of the Reconquista, it must endure occupation by an ally of the Catholic Monarchs, the Order of Calatrava. But the knights prove to be anything but allies of the villagers. After a series of horrific incidents, the townspeople rise up against the Order’s cruel leader and liberate their village. The price is high, but to survive, everyone must stand together.

Directed by

PJ Escobio

Translated by

G.J. Racz

New music by

David Sidnev

PERFORMANCE DATES

1 October (PREMIERE) at 8:00 PM

Further dates:

October 2 & 3

December 10, 11, 12

February 18, 19, 20

March 18, 19, 20

All shows begin at 8:00 PM. The run time is approximately 2 hours 20 minutes with a 15-minute interval.

TICKETS AVAILABLE EXCLUSIVELY THROUGH

THE INTERNATIONALES THEATER FRANKFURT.

TRIGGER WARNINGS: Sexual violence, scenes depicting torture

INTERNATIONALES THEATER FRANKFURT

Hanauer Landstraße 5, 60314 Frankfurt am Main

GALLERY

Photography by Stephan Junek

CAST

Mehmet Oguz Akgeyik

Master of Calatrava

Hannah Marie Andreas

Jacinta

Carlos Díaz

Dancer

Conor Doyle

Mengo

Arno Feltrini

Don Manrique, Leonelo

Simon Lukas Frädrich

Flores, Judge

Roxy Hauserman

Cuadrado

Serafim Khenkin

Cimbranos, Ciudad Real Alderman

Michael Kinzer

Commander of Calatrava

Sarah Macey

Laurencia

Julie Ng

Pascuala

Sara Olivieri

Dancer

Ben Plunkett-Reynolds

Frondoso

Jack Rackham

Esteban

Nicki Rahmlow

Barrildo, Queen Isabel

Greg T. Sadownik

King Ferdinand

Mariano Sanchez Chung

Village Boy, Calatrava Soldier

Lucija Tovilo

Ortuño

Renard Yearby

Juan Rojo

PRODUCTION TEAM

PJ ESCOBIO

DIRECTOR

HELENA POLIC

Assistant Director

ATINA SLAVOVA

STAGE MANAGER

ANNA AMELL

ASSISTANT STAGE MANAGER

SARAH DAVISSON

PRODUCTION MANAGER

DR. KRISTY THOMAS

DRAMATURG

Costume & Set Design – Michelle Bohn | Costume Supervisor – James E. Bailey | Costume Construction – Cavaris King, Zahra Mashmoul, Addy O’Donnell, Rowan Rubin | Stage Construction – Jon Townson

 Lighting Design – Thomas Rösener | Sound Design/Composer – David Sidnev | Musical Arrangement – Jack Rackham, Roxy Hauserman | Props – Dirk Conrad | Choreographer – Carlos Díaz | Rehearsal reader – Carolina Holmes Teixeira

Photography – Stephan Junek | Promotion Material – Kristina Polic | Social Media – Melanie Kenny 

A special thanks to Matthias “Fitti” Fittkau who generously lent weapons for this production.

DIRECTOR'S NOTE

We live in an age of tyrants…again. Cruel men of power who are filled with greed and a twisted need to oppress. They force their dogma on innocent communities. They bring a twisted sense of patriarchy and misogyny to the innocent and keep communities in a permanent state of fear. They are protected and enabled by privilege and force. This protection often comes in the form of leaders and heads of state who share the same outdated ideology. The current US president, his enablers and ICE are a perfect real-world examples of this.

Lope De Vega had men like this in his world as well, and although he was no angel, he still found a way to tell the story of standing up to this kind of abuse. Often in classical stories we see resistance in the form of woman standing up to patriarchy (Beatrice in Much Ado About Nothing, Euripides’s Medea, Kriemhild in The Nibelungenlied) Laurencia in Fuente Ovejuna is no different. She sees what is happening and tries to navigate it until circumstances push her to the brink and she chooses to fight back, as so many of us do.

The men of the village of Fuente Ovejuna are kind, caring and focused on an agrarian life. They aren’t warriors or soldiers. They are farmers and shepherds, who live a good simple life and want nothing but peace. They are sheep. It takes the woman in town to mobilize and decide the fate of the village. So often I see women leading the charge, doing what’s right, making the hard choices and standing up for more than just themselves. This is one of the many reasons why this play has resonated with me for more than two decades. 

I have had the great joy of collaborating with so many women in my life and they inspire me at every turn. From my family to my colleagues I have experienced so much creativity, passion for life, love, care and inspiration. To know the struggles they still face on a day-to-day basis from wage disparity to casual misogyny, from the male gaze to sexual violence and yet they still show up every day. This has shown me that they have great potential to be warriors in the truest sense. This play is about standing up to tyranny and in this age of patriarchy, I say let’s unshackle from that outdated, useless model and instead make room at the table for everyone.

PJ Escobio

9/29/2026