Macbeth

Macbeth

MACBETH

BY WILLIAM SHAKESPEARE

Directed by PJ Escobio

Blood will have blood

A premonition, a passionate couple, regicide, and from there the eventual slide into tyranny, insomnia and murder – “Sleep no more, MacBeth does murder sleep”.  Shakespeare’s masterpiece is filled with witches, betrayal, death and revenge.  Nobody survives tyranny unharmed, there is always a human cost, for some it’s their sanity for others it’s the ultimate price.

PERFORMANCE DATES

Matinée Premiere (11:00 AM): Wednesday 29 October

Evening Premiere (8:00 PM): Thursday 30 October

Further performance dates (matinée): 

October 30 & 31* 
December 3 & 4
January 28, 29 & 30

*includes a talkback after the performance

Further performance dates (evening):

October 30 & 31
December 3, 4 & 5
January 28 & 29

TICKETS AVAILABLE EXCLUSIVELY THROUGH

THE INTERNATIONALES THEATER FRANKFURT.

INTERNATIONALES THEATER FRANKFURT

Hanauer Landstraße 5, 60314 Frankfurt am Main

CAST

Lawrence Hartley

MacBeth

Olivia Hays

Lady MacBeth, Ensemble

Conor Doyle

Banquo, Doctor

Jon Townson

MacDuff, Ensemble

Merle Baron

Malcolm, Lady MacDuff, Murderer

Charles O’Donnell

Duncan, Ensemble

Jack Rackham 

Ross

Helena Polic

1st Witch

Lucy Millar

2nd Witch, Fleance

Maria Hauswald

2nd Witch, Fleance

Paula Irmer

3rd Witch, MacDuff Child

Nora Schauer

3rd Witch, MacDuff Child

PRODUCTION TEAM

PJ Escobio
Director
Set & Costume Designer

Alexandra Georg
Stage Manager
Assistant Director

Marisa Pfeiffer
Assistant Stage Manager

Nhi Cao
Production Intern

Fight Direction – John Bellomo | Intimacy Direction – Katie Gilchrist | Choreographer – Helena Polic

Education/Production Manager – James Phetterplace Jr. | Technical Director – Mike Vandercook

Sound Design & Music Composition – David Sidnev | Lighting Design – Thomas Rösener

Props Master – Dirk Conrad | Costume Manager – James Bailey

DIRECTOR'S NOTE

Tyranny has a cost. Everyone from the tyrant to the youngest child must pay that bill in some way. Fascism and autocracy are always self-consuming beasts so that the Tyrant themselves often pay with their lives. We see it throughout history; the worst regimes only die when you cut the head off the snake. The Great Terror ended when they took Robespierre’s head, Maga will die soon when it’s cult leader finally ceases to exist and the genocide in Gaza will only end when the current prime minister of Israel is no longer in office. This is a truth that history shows us time and again. Unfortunately, there is the cost the people must pay, often as victims and collateral damage inflicted by the cruelty of the self-serving tyrant. Putin now must stay at war, or he will lose his iron grip on power and the people of both Russia and Ukraine suffer because of it. Who will be next? Shakespeare lived in a time of autocracy and knew all too well the effects of living under the yoke of oppression, censorship was strong and one wrong rhyming couplet could get you put in the Tower for an extended stay. Macbeth is a tyrant of his own making; he has free will and chooses to be the perpetrator of violence and cruelty to stay in power. Like all tyrants, in the end he fails. The cost of doing the right thing and fighting back against tyranny has many permutations, sometimes it’s with resources, sometimes, it’s one’s sanity and many times the cost is in blood. This production focuses on the cost and hopefully reminds our audiences that there is light and hope, but chaos, represented by the witches, is always ready to come back and rear its ugly head to help create an environment rich for tyrants to gain control and subjugate our societies. Now is a time of tyranny, we must have empathy and we must fight for all to keep the cyclical nature of evil at bay once again.

– PJ Escobio

October 29 2025